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Choosing Original Art for a Private Hangar or Aviation Lounge

  • Writer: Dani Abbott
    Dani Abbott
  • Aug 4
  • 6 min read

Updated: Aug 4

This is not a problem everyone has, I realize that. Most people are not standing inside a private hangar wondering what painting belongs beside the airplane, but here in Scottsdale the question is not as far-fetched as it sounds, and if a hangar also has a lounge, an office, a meeting space, a car collection, or somewhere people actually spend time, why should the art stop at the front door?


I love traveling and I love flying, and I notice art everywhere I go. I notice the enormous paintings displayed in the lobby of a five-star resort, the artwork that has been placed beautifully in a restaurant or spa, the inner-city mural that makes an ordinary wall impossible to ignore, and of course I look for museums whenever I travel because seeing how people make and live with art in different parts of the world is one of my favorite parts of going anywhere.


Did you know the Phoenix Airport Museum has more than 1,000 works of art in its collection? I always notice the art at Sky Harbor. It gives me something to look at and think about in the middle of all the movement, and it is such a good reminder that art can change the way a room feels, add something memorable to a beautiful space, and keep that space from feeling like every other lobby or waiting area you have walked through.


A private aviation space really is no different.


Choosing Original Art for a Private Hangar or Aviation Lounge, Dani Abbott Fine Art Artist Insights

Scottsdale made me curious about the idea


Scottsdale has a very real aviation community, not simply the occasional private jet passing through. According to the City of Scottsdale's most recent economic study, Scottsdale Airport recorded 166,588 operations in 2024, and the surrounding Airpark includes private facilities with direct taxilane access to the airport.


While I was researching this, I found a Scottsdale project by Crimson Design Group called A Private Hangar Designed for Life, Work, and Flight. The space was designed to work as much more than aircraft storage. It included offices, meeting areas, a lounge, room for family and entertaining, and an automobile collection showroom that was treated almost like a gallery.


I have not been there and seen it in person, and I am not pretending that I have, but I thought it was really, really interesting. How perfect is that for someone whose life includes airplanes, cars, business, family, friends, and travel, all gathered into one space that actually reflects how they live? Once a hangar becomes that personal, original art does not feel like an unnecessary extra. It feels like part of finishing the space.


A hangar can be more than a place to park an aircraft


I think that is the part that made this idea click for me. Some hangars are purely working spaces, and that is exactly what they should be, but others have beautifully designed lounges, offices, conference rooms, viewing areas, kitchens, and places where people sit together before or after a flight. Those rooms deserve the same thought someone would give a great room, a library, a restaurant, or the lobby of a luxury resort.


There is also something really interesting about bringing an original painting into an aviation setting. Aircraft and hangars are full of precise lines, polished surfaces, glass, leather, metal, engineering, and technology. A painting brings in the artist's hand, visible texture, color, and something no other owner has in exactly the same form.


That contrast can be beautiful.


The artwork does not have to show an airplane


Secrets of a Desert Dweller by Dani Abbott, a 36-by-48-inch original painting of a desert tortoise carrying a Western town.

It certainly can. If a particular aircraft, route, landscape, or memory matters to the owner, that could become a wonderful starting point for a commission. But aviation art does not have to become themed decor, and a private hangar does not need a painting of a jet simply because there is a jet sitting twenty feet away.


An abstract painting might bring movement and color into a very structured room. A desert landscape could connect the space to Arizona. A metaphorical piece might say something about travel, freedom, home, ambition, or the life the collector has built, but the important part is that the meaning comes from the owner and the artwork, not from trying to match a subject to a building.


I would choose the art the same way I would for any important room. What do you want to notice when you walk in? What colors and materials are already there? Where do people naturally sit or stop? Do you want the painting to be the first thing they see, or something they discover after they have been in the room for a few minutes?


Those questions are much more interesting to me than whether a painting looks aviation enough.


Scale matters, but it does not need to become complicated


A hangar can make almost everything look smaller. High ceilings, long walls, the open bay, and the aircraft itself can completely change your sense of scale, so a painting that feels substantial in a home may feel much quieter here. That can be solved with one large original, a group of works, or a commission created for the dimensions of the wall.


It does not require turning the idea into a technical exercise before we even begin. A good straight-on photograph, the wall dimensions, and a few familiar reference points such as a doorway, sofa, sideboard, or counter can tell me a great deal. From there I can create a realistic visualization so the collector can see the relationship between the artwork, the furniture, the architecture, and even the aircraft before deciding what feels right.


Original art deserves sensible care wherever it hangs. In a finished lounge or office, the conversation is very similar to placing art in another high-end interior. If the painting will hang on the main hangar floor, I would simply want to choose a protected wall and involve the right installer for that particular building.


That is a placement conversation. It is not a reason to dismiss the idea.


Maybe the unusual space is the point


I have never believed art should only be experienced inside a formal gallery. Some of the art I remember most clearly was in a place I did not expect it, and I think that is part of why I became so interested in Art in Motion. I started imagining what original work could look like in private aviation lounges, hangars, yacht interiors, resorts, restaurants, and all the other spaces people move through and make part of their lives.


Maybe someone finds this article because they really are looking for art for a hangar. Maybe they arrive because they love airplanes and Scottsdale, then fall in love with a painting for their home instead. I am perfectly happy with either answer. The point is that if you spend time in a space and care about how it feels, art belongs in the conversation.


You can see more of what I am imagining on my Art in Motion page, explore the Sands of Time collection, or tell me about your space. You do not need to know the perfect size or have the whole idea worked out. A photograph and a conversation are enough to begin.


Questions collectors ask


Can original art work in a private aircraft hangar?


Yes. It can be especially natural in a finished hangar lounge, office, meeting room, or viewing area, and selected walls within the main hangar may work too. The right choice depends on the wall, scale, light, and how the space is actually used.


Does art in an aviation space need to feature an airplane?


No. The artwork can connect to travel or aviation if that is meaningful to the owner, but it can just as easily be abstract, figurative, textural, or connected to another part of the collector's life.


How do you choose the right size artwork for a hangar wall?


Begin with a straight-on photograph and accurate wall measurements, then include familiar objects such as furniture, doors, counters, or the aircraft itself for scale. A realistic visualization can show whether one large work, several pieces, or a custom commission feels right before the artwork is moved or created.


And if you would like to see new work as it is finished, the Collector's Circle always sees everything first.


Warmly,

Dani

 
 

 

     © 2026 Dani Abbott Fine Art

Dani Abbott Fine Art
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