A house you leave for the summer is a different environment than a house you live in. Here is how to leave art in one safely.

It is the most natural place in the room to put art, and the hardest on a painting. Here is how to tell whether yours is safe.

Private aviation terminals are beginning to host curated exhibitions. Here is why original art belongs naturally in these travel spaces.

If you are furnishing a whole house, you do not need art everywhere. You need it in four places, in this order.

A thoughtful way to choose original art for a yacht interior by looking at scale, sightlines, materials, and how the rooms are actually used.

The walls are the last thing and the one people rush hardest. Here is a calmer way to work through them.

Everything is chosen, everything was expensive, and it still feels like a very nice hotel. There is usually one reason.

Inherited work carries obligation as much as beauty. A gentle way to sort out what stays, what goes, and what to do with the guilt.

Everything you actually need to know about looking after an original, which is far less than most people fear.

Walls of glass are the whole point of building here, and they leave you with fewer walls and more light. Both are solvable.

The sliding wall that opens the whole room is the best thing about a Valley house and the trickiest for a painting.

The single biggest environmental event of the year for a painting in Arizona, and almost nobody connects the two.

Five places I would think twice about in a Valley home, and the good news is that every house here has plenty of walls that work beautifully.

A practical answer to a question people ask me constantly, including when it is genuinely not worth the trouble.

Most damage to art happens in a move, and most of it is preventable. What to do, and the four things never to do.

Almost every painting that gets damaged here is damaged in storage, not on a wall. It takes about ten minutes to do it properly.

Our patios are real rooms here, and people want real art in them. Here is the honest answer about what survives out there and what does not.

A personal look at why original art belongs naturally in Scottsdale’s private aviation lounges, offices, hangars, and travel spaces.

Our air is far drier than the range paintings are meant to live in. Here is what that actually does, and why it is very manageable.

Scale, surface and light are the three things a screen takes away from a painting. Here is exactly what changes when the work arrives on your wall, and how to buy well from a photograph anyway.